The six episodes of the web series explore and discuss basic subjects typical of preschool education, namely creativity, time, love, technology, diet, and dreams, while the television series touches on jobs, death, family, friendship, transport, and electricity. The series parodies and satirises these TV programmes by contrasting its childlike, colourful environment and its inhabitants against disturbing themes each episode features a surreal plot twist in the climax, including psychedelic content and imagery involving graphic violence, dark humour, existentialism, and psychological horror. In the series, each episode starts like a typical children's series, consisting of anthropomorphic puppets akin to those featured in Sesame Street or The Muppets. A follow-up television series was released in 2022 on All 4 and Channel 4. The original series consisted of 6 short episodes released from 29 July 2011 to 19 June 2016 on YouTube. Its production is also notable for diversity, combining puppetry, live action, and styles of animation including stop motion, traditional animation, flash animation, clay animation, and computer animation. The series is notable for its blending of surreal comedy and black comedy with psychological horror and musicals. The new episodes will, without a doubt, spark interest in the cult classic again and reinvigorate an already active, dedicated fanbase once more – and hopefully lead to more Don't Hug Me I'm Scared in the future.Don't Hug Me I'm Scared (often abbreviated as DHMIS) is a British web and television series created by Becky Sloan, Joe Pelling, and Baker Terry. There’s no word yet if the series will ever get released on YouTube or Vimeo like past episodes of DHMIS, which is one of the more tragic consequences of the series getting more funding.Īs for what the series will be about, details are scant but its Sundance description from 2019 offers a clue for what the pilot, at least, entails: ''In the small town community of Clayhill, roommates Red Guy, Yellow Guy and Duck live simple, uneventful lives – until Mayor Pigface disappears.'' It's uncertain if the new series will tangibly connect back to the YouTube episodes, but it's safe to assume that it will take place in the same universe, perhaps in between the other episodes or as a prequel. However, fans living outside the United Kingdom and Republic of Ireland aren't so lucky – viewers need an address in one of the two countries to sign up for All 4. DHMIS' transition to television might mark the end of the ever-popular media theory, given that a big part of the media theory centers around creators "selling out" to media corporations and losing authenticity.ĭHMIS' six new episodes will stream exclusively through Channel 4's on-demand service All 4 starting Sept. The speculation about DHMIS' ''deeper meaning'' – if art can have a deeper or objective meaning at all – in conjunction with Sloan and Pelling’s reluctance to give an answer to that question is no doubt part of why the series has such a hold on the Internet. Inside A Mind posits another theory that's gaining traction in DHMIS fan spaces: that the series is a metaphor for growing up and learning to let go of childhood. The media theory argues that Sloan and Pelling are attempting to tell a story about how the media brainwashes viewers – especially children – into certain political or social beliefs and being hostile towards critiques or questioning. The most popular and well-known theory by far is dubbed ''the media theory'' in online spaces, cropping up in 2013 and popularized by FilmTheory on YouTube. The seemingly meaningless spiral into carnage and gore every episode despite its candy-colored, infantile aesthetic gave birth to endless theorizing and discussion about what DHMIS is about. But any discussion about DHMIS' impact on online spaces and legacy would be remiss if it excluded what made it such a fixation in the years between releases.
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